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| Hand Prop |
A prop, such as a cane, a handkerchief, or other small item with which an actor can
work as a part of his character or the action of the play. |
| Hand Working |
Traditional method of raising or lowering scenery or drops by hand-lines from a
fly-loft with a pin rail, as opposed to the modern counterweighted systems. |
| Hang |
Refers to the process of attaching or "hanging" lighting instruments
from pipe battens. A "hang and rough focus" is one of the preliminary steps in preparing the lighting for a
show. |
| Harlequin |
Perhaps the best-known stock character to have originated from the
Commedia dell'Arte. Originally a sharp-witted servant in Italy, he became a simpleton in France and a lackadaisical lover
in the British Theatre. Best recognized by his tight-fitting suit of silk diamonds in contrasting colors. |
| House |
The entire theatre beyond the front of the stage. |
| House Lights |
The lights used to illuminate the auditorium before and after a performance and
during intermission. These can range from simple incandescent lighting to grand chandeliers. |
| House Manager |
The person charged with managing the auditorium and anything related to the
audience. At TCT, the house manager is also charged with supervising the ushers, opening and closing the house, and
arranging for hosts to welcome patrons in the lobby. |
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